The process of using wood to create mosaic images, as used in the design by francesco di giorgio martini to decorate a private studio for the duke of urbino around 1480, is called ________.

Testing for coplanarity can be done by  finding the point-plane distances of the points  , ...,   from the plane determined by   and checking if they are all zero, by using arbitrary number of   points  , ...,  . Two lines will not always share all planes, though. They can be coplanar on the same horizontal plane, for example, but not be on the same vertical plane.

In this problem, we can see that the line WY is obviously in both planes, and there won't be any additional points unless the planes are coincident. In this case, since W, X, Y and Z are not all coplanar, the planes don't coincide, so the answer is Line WY.

Answer:

b.  Creating architecture that was for personal use by the artist, and not to be sold for money.

Final answer:

The Cabinet of Dr. Caligari is a classic early color film that used black and white to depict reality and expressionistic color for imaginary scenes, reflecting the emotionally driven style of German Expressionism.

Explanation:

The classic early color film that depicted real life in black and white and imaginary life in expressionistic color is The Cabinet of Dr. Caligari from 1920, directed by Robert Wiene. This film is renowned for its stark, abstract sets and use of color to distinguish between reality and the surreal world of the protagonist's mind. German expressionist filmmakers like Wiene were known for their bold use of visual style to reflect inner psychological states and social critique, which featured prominently in the post-World War I cinema landscape. This contrast of black and white with color was further representative of the broader cultural shifts of the time, where artists and filmmakers were reacting to the turmoil and absurdities revealed by the war, as seen in movements like Dadaism and Surrealism. Expressionism's tendency toward arbitrary colors and jarring compositions influenced the visual language of films during that era, emphasizing the emotional and subjective over realistic representation.

The correct term for this formal structure is strophic with varied reprises. A formal structure of many art songs that uses the same melody for some verses of poetry while setting other verses to new melodies is called strophic with varied reprises.

In music, the strophic form, also known as verse-repeating form or chorus form, is a structure where the same music is used for each verse or stanza of a poem or song. However, when some verses of the poetry are set to new melodies while others use the same melody, this variation within the strophic form is referred to as strophic with varied reprises.

In this structure, the basic melody remains consistent, but the composer may introduce slight alterations, such as changes in harmony, rhythm, or dynamics, to accommodate different verses and provide contrast or highlight specific sections of the text. This allows for some musical variety while still maintaining the unifying effect of the recurring melody.

The strophic form is one of the simplest and most durable of musical forms, found in a wide range of musical genres, from folk songs to art songs and even some popular music. The variation within the form, as indicated by the term varied reprises, adds complexity and interest, making it a popular choice for composers who wish to set multiple verses of text to music in a coherent and engaging way.

Answer:

It means to spread or disperse it widely

Answer: Waves in their natural form, are not necessarily art, however Katsushika Hokusai has captured the fierceness of the waves and the glory of the ocean by painting a frozen image of a large wave just before it is about to crash down on the sea below. The artist used proportion to show the large wave as most prominent, displaying its power over the waves below. The artist created balance for the large wave on the left, by creating height in the sky, which is more likely clouds on the right. The white caps are emphasized by the artist's use of contrast between their light, and the darkness of rest of the sea. This makes the white caps appear claw-like, reaching out for the sea below with intention and strength. The artist's main inspiration was nature, specifically the sea.

Explanation:

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Lamb is most delicate and tender if it's fed grass, which is their natural diet and provides them with the right nutrients for proper growth and development.

Lamb is most delicate and tender if it's fed grass.

Grass is the natural diet for lambs and provides them with the right nutrients to grow and develop properly. It is rich in fiber and can help promote healthy digestion in lambs. Grass-fed lambs also tend to have a milder and sweeter flavor compared to lambs fed with other types of food.

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Most surviving Egyptian art and architecture are funerary. This is because the Egyptians believed that the afterlife was just as important as life on Earth.

Egyptians wanted to ensure that their dead would be properly prepared for it. As a result, they built elaborate tombs and temples, and they filled them with art that would help the deceased person on their journey to the afterlife.

Some of the most famous examples of Egyptian funerary art and architecture include The Great Pyramids of Giza, The Valley of the Kings, and The Temple of Karnak.

These are just a few examples of the many surviving Egyptian funerary art and architecture.

So, Egyptian art and architecture provide a valuable glimpse into the beliefs and practices of the ancient Egyptians.

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The central American ballcourt with sloping talud walls was built for the purpose of playing a ritual ballgame, which had deep religious and societal implications, including fertility, sacrifice, and militarism. The Great Ball Court at locations like Chichen Itza is an example of such a structure used for this important cultural activity.

This central American ballcourt with its sloping talud walls was constructed for the purpose of a ritual ballgame. The Great Ball Court, found at sites like Chichen Itza in Mexico, is the largest and best-preserved court for playing this sport, which was a key aspect of Mesoamerican culture starting from 1400 BCE. The ballgame was associated with religious and societal themes such as fertility, sacrifice, and militarism, and often depicted in carvings and reliefs on the courts themselves. Ballcourts typically had an 'I'-shaped layout, with a long playing field flanked by two sloped walls, where rings or markers were placed high up on the walls across from each other. The players, who could not use their hands, aimed to pass solid rubber balls through these markers.

The significance of the ballcourt went beyond the game itself, as it involved ritual aspects such as human sacrifice in some cases. The losers of the game were sometimes sacrificed, with evidence from sculptures and reliefs at various sites showing depictions of ballplayers being decapitated. This demonstrates the deep cultural, religious, and political importance of the ballgame in Mesoamerican civilizations.

Animation grew from flip books, influenced by both Gestalt psychology and technological advancements in late 19th-century photography. Various, photographers and inventors played a role in developing visual storytelling, leading to the birth of the cinema. Today, whether we consume information through GIFs or documentaries, the root principle of animation remains the same.

Animation is a technique that grew out of flipbooks, where a series of drawn images seem to move as book pages are flipped rapidly. This concept initially came from Gestalt psychology which posited that our brains create a perception that is more than simply the sum of available sensory inputs. This principle was greatly magnified with the advent of photographic technology in the late 19th century. Inventors and photographers like Wordsworth Donisthorpe and Eadweard Muybridge capitalized on this advancement and began experimenting with capturing multiple photographs of moving objects and replaying them quickly to create an impression of movement.

During the same era, Louis Le Prince used photographic film to record the first movie - a scene of people walking in a garden in England. This jumpstarted the age of cinema as we know it today, where images in motion, changing over time, tell a story. Whether in GIFs that incorporate pictures, videos, and language, or documentaries that blend moving images with historical narrative text, we can trace the roots of these modern forms of storytelling back to flipbooks.

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